University · English Literature · Postcolonial Literature
Salman Rushdie and the Postcolonial Fantastic: Magic Realism as Resistance
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An analysis of Salman Rushdie's use of magic realist narrative strategies — particularly in Midnight's Children (1981) and The Satanic Verses (1988) — as a formal mode of postcolonial resistance, examining how the fantastic challenges colonial realism, nationalist historiography, and Western literary norms.
Inhaltsübersicht
- Magic Realism as Postcolonial Form
- Midnight's Children: History, Memory, and the Allegorical Body
- The Satanic Verses: Hybridity, Migration, and Sacred Text
- Rushdie's Essays and the Theory of the Migrant Writer
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