University · English Literature · Romantic and Victorian Poetry
Victorian Dramatic Monologue: Browning, Tennyson, and the Mask of Voice
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A detailed study of the Victorian dramatic monologue as a defining poetic form of the nineteenth century, focusing on Robert Browning's and Alfred, Lord Tennyson's experiments with voice, persona, and the gap between what a speaker says and what the poem reveals — and the form's implications for Victorian moral, psychological, and historical anxieties.
Inhaltsübersicht
- The Dramatic Monologue: Form, Definition, and Origins
- Robert Browning: The Art of the Unreliable Speaker
- Tennyson: Memory, Loss, and the Dramatic Voice
- The Dramatic Monologue and Victorian Psychology
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- Romanticism to the Fin de Siècle
- Wordsworth, Coleridge, and the Romantic Lyric
- Tennyson, Browning, and the Dramatic Monologue
- The First Generation Romantics: Blake, Wordsworth, and the Revolution of Feeling
- The Second Generation Romantics: Byron, Shelley, Keats, and the Idea of the Poet
- Christina Rossetti and Women's Poetry in the Victorian Era
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