University · English Literature · Shakespeare and Early Modern Drama
Shakespeare's Comedies: Gender Disguise, Festivity, and Social Order
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An analysis of Shakespeare's comedies through the frameworks of festive comedy theory, gender disguise and cross-dressing, and the negotiation between carnival release and social reintegration, focusing on As You Like It, Twelfth Night, A Midsummer Night's Dream, and The Merchant of Venice.
Inhaltsübersicht
- Festive Comedy: Saturnalia, Release, and Return
- Gender Disguise and the Cross-Dressed Heroine
- Social Order and Its Discontents: Class, Power, and the Comic Ending
- Genre, Form, and Critical Debates in Shakespearean Comedy

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- Shakespeare's Tragedies and Comedies
- Shakespeare's Histories and Romances
- Jonson, Marlowe, and Early Modern Theatre
- Shakespeare's Tragedies: Hamartia, Revenge, and the Tragic Hero
- The Shakespearean Sonnet: Form, Sequence, and the Dark Lady
- Early Modern Theatre: The Globe, Playing Companies, and Performance
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